Tony Awards Nominations 2019: 'Hadestown' And 'Ain't Too Proud' Lead The Count - NPR

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Hadestown was nominated for 14 Tony Awards, including one for best musical and another for best leading actress in a musical (Eva Noblezada, center). The awards ceremony is scheduled for June 9. Matthew Murphy/Courtesy of Hadestown, The Musical hide caption

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Matthew Murphy/Courtesy of Hadestown, The Musical

The 2018-2019 Broadway season hurtled to a close, with 14 plays and musicals opening in March and April, before the Tony Award nominations were announced on Tuesday morning. And some of the late entries into the race were handsomely rewarded.

Hadestown, a retelling of the Orpheus and Eurydice myth by singer-songwriter Anaïs Mitchell, opened just two weeks ago and took 14 nominations, including one for best musical. Another recent entry, a reworking of the 1980s film comedy Tootsie, took 11 nominations, also including best musical.

Rounding out the best musical category were a jukebox musical, Ain't Too Proud: The Life and Times of the Temptations, with 12 nominations; an adaptation of the film Beetlejuice, with eight; and an original musical, The Prom, with seven.

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Santino Fontana (center) stars in Tootsie, one of the productions up for the Tony Award for best musical. Fontana is also nominated for best leading actor in a musical. Matthew Murphy/Courtesy of Tootsie hide caption

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Matthew Murphy/Courtesy of Tootsie

One of the biggest surprises of the season was the sheer number of new plays produced on Broadway: 14. Best play may be the hardest Tony category to predict.

The Ferryman, Jez Butterworth's family drama set in Northern Ireland during the "troubles," led the pack with nine nominations, followed closely by Taylor Mac's idiosyncratic Gary: A Sequel to Titus Andronicus, with seven, and Ink, a British import about young Rupert Murdoch, with six.

Rounding out the category were two Broadway debuts: Choir Boy, by Tarell Alvin McCraney — winner of an Academy Award for Moonlight — and What the Constitution Means to Me, a personal memoir written and performed by Heidi Schreck.

Two popular plays also captured several nominations, but not for the top prize. Aaron Sorkin's adaptation of Harper Lee's To Kill A Mockingbird, starring Jeff Daniels, received nine nominations, and an adaptation of Paddy Chayefsky's Network, starring Bryan Cranston, got five. Both of those lead actors were nominated in the best actor in a play category.

The best play revival field is particularly strong, with The Boys in the Band, The Waverly Gallery, All My Sons, Burn This and Torch Song all up for top honors. And only two musical revivals were eligible for best musical revival: an avant-garde staging of Rodgers and Hammerstein's Oklahoma!, which received eight nominations in total, and a revised version of Cole Porter's Kiss Me, Kate, which took four.

In addition to Daniels and Cranston, several big stars were nominated for top awards, including Adam Driver in Lanford Wilson's Burn This, Annette Bening in Arthur Miller's All My Sons, Elaine May in The Waverly Gallery and Kelli O'Hara in Kiss Me, Kate.

Some other stars were left out of their categories, including Glenda Jackson, who won a best actress Tony last year and starred in King Lear this season, and Nathan Lane, who leads Gary.

A complete list of nominations is available at the Tony Awards website.

The Tony Awards will be presented on Sunday, June 9 at 8 p.m. Eastern time. The ceremony will be hosted by James Corden at Radio City Music Hall and broadcast on CBS.

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2019-04-30 16:35:00Z
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The Queen Was the First to Visit Prince Harry and Meghan Markle at Frogmore Cottage - The Cheat Sheet

Prince Harry and Meghan Markle had their first royal visitors to Frogmore Cottage and it wasn’t Prince William and Kate Middleton, as many believed. Though William and Kate did stop by, it was actually The Queen who first paid the Duke and Duchess a visit at their new home.

Meghan Markle and Queen Elizabeth II | Max Mumby/Indigo/Getty Images

Prince Harry and Meghan Markle welcome their royal guests

With Prince Harry and Markle due to welcome their first child very soon, they’ve seen some family members drop by their new home at Frogmore Cottage recently.

After Markle missed the Easter Sunday church service with the royal family, it was reported that Prince William and Middleton paid her a visit to see how she was feeling. Many royal baby watchers assumed that Markle, now very pregnant, was staying home from the service to rest.

William and Middleton reportedly stopped by following the service for their first visit to Frogmore Cottage and arrived with a housewarming gift as well.

A source told Harper’s Bazaar that “William and Catherine visited because Meghan was unable to attend the service. They wanted to be supportive and see how she is doing. It was a lovely afternoon.”

The Queen was the first Frogmore visitor

According to a new report, however, the Queen was actually Prince Harry and Markle’s first visitor to Frogmore Cottage, as a source told The Sun that she came to see the couple while staying at Windsor Castle over Easter weekend.

The source shared: “Her Majesty wanted to formally welcome the Sussexes to their new home so she was their first visitor. She visited with other family members and Harry and Meghan were delighted to show them round.”

The insider added: “The Queen was at Windsor Castle at Easter and wanted to see Meghan before she has the baby.” If true, it was no doubt a lovely occasion and very much appreciated by Prince Harry and Markle.

Buckingham Palace didn’t comment on any of the Sussexes reported royal visitors since these are private visits and not official royal engagements.

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Just one week ago, The Duke and Duchess of Sussex asked that you kindly consider supporting various organisations around the world in lieu of sending gifts for the upcoming arrival of their first born. Not only did many of you lend your support, you took action. Their Royal Highnesses wanted you to know the impact of your support – the direct effect your donation, energy, and action made! YOU chose to be part of the collective good, and you have made a real difference. Whether a $5 donation, £1000 contribution, offering to volunteer, or spreading the word – you’ve played your part. And on behalf of The Duke and Duchess (and Baby Sussex), we thank you so much. YOUR IMPACT: @thelunchboxfund will now be able to provide a minimum of 100,000 additional hot nutritionally fortified meals to children in dire need across South Africa @littlevillagehq received donations from all over the world (from UAE to Hong Kong and the US), they’ve increased their monthly donors, had a surge in volunteer applications, and re-energized their hard working team of 200+ staff and volunteers @wellchild can now provide 300+ additional hours of specialist care by a Well Child Nurse for a child with serious health needs, allowing families to stay together at home vs in hospital @Baby2Baby have received over 5,000 products to disperse to children in need, including cribs, books, backpacks, diapers and have received monetary donations from around the globe – from Guadalajara to Italy. You made this happen. Thank you.

A post shared by The Duke and Duchess of Sussex (@sussexroyal) on Apr 15, 2019 at 6:51am PDT

Frogmore Cottage got a makeover recently

Prince Harry and Markle moved to Frogmore Cottage ahead of the birth of their first child, though renovation work created some delays.

Last month, a source told The Sun that workers were wrapping up the renovation details, sharing: “the builders have worked all week whatever the weather. But they [the Sussexes] keep making changes, particularly on the layout. The word is they’ve been quite demanding, which is understandable as what homeowner doesn’t want their house to be perfect?”

The insider added: “Given the scale of the project, a three or four-week delay isn’t too bad. The couple are pleased with how it’s all going.”

Among the home improvements were the addition of a yoga studio, new fireplaces, and soundproofing, as well as giving the property a security boost. The reported cost or the renovations was somewhere between $2.5 and $3.8 million.

With all of their recent visitors to Frogmore Cottage, it’s believed that Markle is certainly due to give birth any day now.

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2019-04-30 16:31:36Z
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A post-action analysis of GoT's Battle of Winterfell—through a glass, darkly - Ars Technica

• It's Team Human, led by Jon "Oh, geez, this isn't going well" Snow...

  HBO

• Versus Team Undead, led by a formidable tactician who perhaps got a bit too cocky trying to relish the moment as he went for the final prize. Don't get cute on the one-yard line, Night King.

  HBO

Warning: This story contains plot points and spoilers for the latest episode of Game of Thrones, S8E3's Battle of Winterfell.

Halfway through the last season of Game of Thrones, we put together an after-action analysis of the major military engagements driving the plot of the series in the season's two central episodes—"The Queen's Justice," in which the forces allied against Queen Cersei got seriously pasted, and "The Spoils of War," in which Daenerys Targaryen, her dragons, and her Dothraki rapid response force swept down on the Lannister army's wagon train and turned it into a macabre cookout.

Now we're halfway through the final season of the series, and we're at a similar pivot point. The second episode of the season—"A Knight of the Seven Kingdoms"—laid out the somewhat awful strategic position of the combined allied forces under the command of Daenerys Targaryen and her Warden of the North, lover and likely nephew Jon Snow. And in the most recent episode—"The Long Night"—that situation reached its climax and conclusion in what could set the record for the least number of photons registered in a film or video production of its length ever.

As we were writing this, we were beaten to the punch by one of our favorite military Twitterati and bloggers, Angry Staff Officer, a master of fictional tactical interpretation, in his excellent but perhaps slightly misguided analysis for our sister publication, Wired. It's definitely worth reading, and you should do so right after you read this—unless you have not seen the episode and are averse to spoilers. In that case, come back and read both once you're ready.

Situational awareness

Enlarge / At first (like the first two minutes), it seems we have a steady human set of hands at the wheel...

HBO

Dany's Dothraki and Unsullied forces, Jon's army of the North, the remaining Night's Watch, the remnants of the Brotherhood Without Banners, and a sundry assortment of other good guys face a dire strategic situation to start. The Night King and his mega-army of risen dead people have them outnumbered; he can challenge their air superiority with his own undead dragon and proven anti-aircraft spear; and instead of getting reinforcements from the double-dealing Queen Cersei, they get a one-handed man famous for pushing a kid out a window and siring kids with his sister.

At their command post in Winterfell, the collected leaders looked at the bleak situation and laid out their battle strategy: hold out as best as possible while luring the Night King into a single combat situation using warg raven/drone operator and cryptic intelligence provider Bran Stark (that kid who got pushed out the window) as the bait. Then they mostly get drunk and wait for the onslaught, until forward scouts signal that the enemy is near. But other than toots on a horn, Dany's leadership has absolutely no battlefield situational awareness. It's like they don't have any sort of flying thing that could do reconnaissance or something.

While scouts have given a rough estimate of force composition and the order of battle is pretty well-known, there's pretty much no operational picture—and pretty much no television picture, either, as the director of photography chooses to present the first half of the episode mostly in various shades of black. As the battle approaches, flame priestess and general portent of doom Melisandre wanders up and provides some much needed lighting—giving the Dothraki cavalry some flaming swords to swing. Meanwhile, non-combatants are withdrawn to the super-safe crypt, surrounded by dead people who could be raised by the Night King. Nobody seems to think twice about this, not even Dany's supposedly savvy advisors Tyrion and spymaster Varys—but we've seen them fall flat on their faces before in the foresight department, so that's not a shocker.

Dany and Jon watch from a mountaintop vantage point, awaiting their cue to deliver air support. They can't see much of anything. But somebody eventually does, as the Dothraki charge the unseen White Walker line.

Leeroy Jenkins time

Enlarge / This will totally work.

There has been a lot of criticism of the Dothraki cavalry charge. But we are here to say that the criticism should be focused on the lack of close air support. In "The Spoils of War," the Dothraki served as a "fixing force" to line the Lannisters up for mass destruction from the air. Here, the Dothraki are literally lighting the way to the enemy, and all they have is some artillery support in the form of catapulted flaming tarballs.

Had this illumination been used for, say, some timely dragon strafing by Dany while Jon flew combat air patrol above, the Dothraki sacrifice may have been considerably smaller. Instead, we just get to see their flaming swords extinguished by the advancing line of we don’t know what.

The primary failure of the Dothrakis' use as a shock force was that they ran into an enemy (literally) that could not be shocked. Hopefully there are enough of them left to play a role in the next engagement.

The Dothraki charge was just another example of how utterly unimaginative Dany's supporting staff have been in the face of new challenges. As the returning Dothraki retreat back to Winterfell, we get a good look at another major failure of imagination—the defensive works around the castle, which are, to be honest, embarrassing even from a medieval tactical perspective. While the defenses may have been rushed a bit, it's hard to believe nobody remembered that the enemy's main body was a relentless, berserker undead infantry. Winterfell's outer defensive works were:

• A line of chevaux-de-frise—spiked anti-cavalry fortifications akin to tank traps
• A trench filled with stuff that burns

That's it. There were no other engineering efforts made. There was no effort to use the moving mass of the Walkers against them, using stake walls or other defensive structures. There could have been concentric trenches. Nope. And the Unsullied and Dothraki and everyone else on the field before Winterfell had to retreat through the defenses, causing higher losses.

Sure, all of this would have taken time and resources. But even a little more effort could have bought more time. Unfortunately, this bit of tactical and strategic fail is often reflected in reality, where commanders go into battles thinking the enemy will just fight them by the rules they already know.

Combined arms… and legs

Enlarge / When in doubt, have a witch light a bunch of trenches on fire.

HBO

Command, control, and communication is essential on the battlefield. But the Night King essentially jammed Winterfell's C3 efforts by bringing on a literal fog of war—masking the battlefield with Winter itself. Davos Seaworth waves those flaming sticks to signal to Dany to dragon-flame the trenches alight, but she can't see anything through the low deck. Fortunately (?), Melisandre goes out and does her thing one more time, setting the trench alight.

And then everybody just stands there and watches each other. All the catapults are outside the walls and the trenches. All the archers sit on their hands as the Walkers pause at the wall of flame. Another opportunity to thin the (easily replenished) ranks of the dead.

Meanwhile, Dany and Jon get tangled up in an air-to-air engagement with the Night King, astride his zombie, blue-fire spitting dragon. The Night King has failed to master the use of air power: he could have ignored Jon and Dany and just leveled Winterfell's walls with airstrikes like he did to that Other Wall, but nah. He obviously has no understanding of air-to-air tactics and attempts an attack from below—only to end up entangled with one of his targets. Both the Night King and Jon end up un-dragoned, their reptilian aircraft left to their own devices.

But this is not an apparent problem for the Night King, who has psychic C3 over his minions—and is able to raise all the dead around him as reinforcements. Dany tries to toast the Night King with dragon fire, but it's super-ineffective.

The Night King directs his dead troops to breach the burning barrier in a style reminiscent of World War I trench warfare (or, as Angry Staff Officer put it, "Soviet style")—by throwing their bodies down as a bridge over the obstacle. Suddenly, the lines are not so static. The walls are breached World War Z style by the masses of White Walkers. As the battle rages inside the walls, the Night King strolls into Winterfell with his squad of frozen bros.

The plan… works?

• Castle Winterfell has seen better days

  HBO

• Who thought letting Theon guard the humans' one true honeytrap was a good idea?

  HBO

Then, there is a lot of dying. Jon finds himself tied down by zombie dragon fire. Dany is defended to the death by Jorah Mormont after her dragon gets weighed down by White Walkers. Theon Greyjoy and a band of archers defend Bran at the bait-point to the end, before Theon is dispatched with his own spear by the Night King. It looks like this is the end… until Game of Thrones' ultimate special warfare operator, Arya Stark, arrives and dispatches the Night King with some really slick Valyrian steel dagger work. The King crumbles, and his minions all collapse. It's like a proton torpedo down the exhaust port. The end.

It's a win, at huge costs—one that considerably weakens Dany's fighting force for the coming battle with Cersei's mercenary reinforcements and fleet. But the win shows that the basic underlying strategy mapped out by the leadership was correct—even if the execution left much to be desired.

In the end, we believe that the Battle of Winterfell played out much as most military conflict does. Success in combat often hinges upon the determination, imagination and ability to adapt and overcome in the face of situations that soldiers haven't trained for. The enemy will not always conform to your tactical paradigm. And fortune favors the bold.

If you want the show's writers to justify the action of team human, HBO's latest behind the episode video does just that.

Listing image by HBO

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2019-04-30 16:05:00Z
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Game Of Thrones: What Happened To Rhaegal, Jon's Dragon? (Season 8 Episode 3) - GameSpot

Game of Thrones' longest episode to date--Season 8, Episode 3--aired on Sunday, marking the biggest battle scene to date. A key component of that was the role that the dragons did (or did not) play, and you can read all about what went down with Rhaegal below. If you've already watched, be sure to check out our Episode 3 Easter eggs and references--there were quite a few, and given the issues some people had with the level of darkness and visibility, you might have missed something.

The third episode of Game of Thrones' final season, The Long Night, finally brought the climactic clash we've been waiting for since the opening moments of the show's very first episode. The Night King's army of the dead breached the Wall, and the forces of the living, led by Daenerys, Jon Snow, and Dany's two dragons, laid down everything to try to stop them once and for all during the Battle of Winterfell.

It was a pitched battle that had lots of casualties--check out our full rundown of everyone who didn't make it through, and our review for our take on whether The Long Night succeeded in its aims of resolving the conflict with the Night King. But after the dust had settled, there were still a few lingering questions. Ghost, Jon Snow's direwolf, disappeared in the first charge, leaving everyone online asking what happened to him (here's the answer). And then there was Rhaegal, the dragon ridden by Jon, who fell halfway through the battle and was never seen again. So what happened to him?

Despite it looking pretty harrowing for Rhaegal in the middle of the battle, we know for sure he survived the Battle of Winterfell. That's because he appears, albeit very briefly, in HBO's teaser for Episode 4.

Rhaegal and Drogon, the dragon Daenerys rides, were a powerful force in the battle until a snowstorm wrecked all visibility, and the dragons struggled to help out the fighters on the ground. When the Night King showed up riding the undead Viserion, things got even more hectic.

Viserion and Rhaegal literally slammed into each other in the snowstorm, with the wight dragon trying to cook Rhaegal's rider as they slashed away at each other. The Night King took the opportunity to try to spear Rhaegal and take him down for good, just as he did with Viserion during the Season 7 episode Beyond the Wall. But Rhaegal eventually won the fight, tearing off a piece of Viserion's face, and both the Night King and the wight dragon fell to Earth. But Rhaegal's injuries were pretty severe, and he went plummeting to the ground, too--he crashed, throwing Jon from his back, and that was the last we saw of the dragon.

So the question that remains now is what condition Rhaegal will be in going forward. Like Daenerys's other forces, Rhaegal took a beating during the battle with the Night King, with Viserion raking a huge gash in his chest. It's also looks like he has tears in his wings in the teaser (although it's tough to tell the dragons apart at any distance). It's very likely he won't be back to 100% for some time, and that could call into question his role in the coming battle for the Iron Throne at King's Landing.

Daenerys has already lost a lot of her military might leading up to her final push to take down Cersei Lannister, and the dragons have always been her ace in the hole. We've seen her get a lot done with just one dragon, but a weakened Rhaegal (and possibly Drogon) will definitely be a setback.

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2019-04-30 15:32:00Z
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'Avengers: Endgame' directors shocked by their own success at the box office, credit social media - Fox News

As “Avengers: Endgame” continues to dominate at the box office, directors Joe and Anthony Russo are in awe and crediting social media with the film’s success.

The film shattered the record for biggest opening weekend with an estimated $350 million in ticket sales domestically and $1.2 billion globally. Standing on the shoulders of 21 other films in the Marvel Cinematic Universe that came before it, the story ties up the cliffhanger ending left behind by “Avengers: Infinity War.”

With the film a definitive, record-breaking box office hit, the Russo brothers confessed that they were taken aback by the public reception to their own work.

CHRIS PRATT POSTS 'ILLEGAL' VIDEO FROM 'AVENGERS: ENDGAME' SET AS HE CELEBRATES BOX OFFICE RECORD

“We were definitely surprised. We knew the movie was good but you can never predict something like this,” said Anthony Russo, speaking at a keynote conversation with CNBC anchor Julia Boorstin at the Milken Global Conference on Monday (via Variety).

Directors Anthony Russo and Joseph Russo attend the "Avengers Endgame" UK Fan Event at the Picturehouse Central on April 10, 2019 in London, England. (Photo by John Phillips/Getty Images)

“With this kind of runaway success, the phrase standing on the shoulders of giants comes to mind, because the MCU has been building for so long. The audience has a depth of emotion for these characters,” he continued.

“This is something that can only be made possible through social media and collective global conversation about content,” Joe Russo added.

'AVENGERS: ENDGAME' SMASHES BOX OFFICE RECORDS, STAR CHRIS HEMSWORTH TALKS 'SENSE OF PRIDE'

As if the domestic success wasn’t enough, the film was just as gigantic overseas, obliterating the previous worldwide record of $640.5 million, also set by "Infinity War." ("Infinity War" didn't open in China, the world's second-largest movie market, until two weeks after its debut.) "Endgame" set a new weekend record in China, too, where it made $330.5 million.

Due to the film’s massive appeal and complicated story, the directing duo shared a note with fans prior to its release urging them not to spoil what happens for others.

“This is it. This is the end. The end of an unprecedented narrative mosaic spanning eleven years and eleven franchises,” the directors wrote in a message posted on Twitter earlier this month.

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They continued: “Because so many of you have invested your time, your hearts, and your souls into these stories, we’re once again asking for your help. When you see ‘Endgame’ in the coming weeks, please don’t spoil it for others, the same way you wouldn’t want it spoiled for you.”

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2019-04-30 14:34:55Z
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What You Didn't See When Arya Stark Saved the Day on GoT - E! NEWS

"F—king hell! Sorry guys!" That's what Maisie Williams said, more than once, while filming her big Game of Thrones battle.

"I think I probably hold the record for the most apologies on set," Williams said when discussing her long battle with White Walkers inside the Winterfell castle.

In the behind-the-scenes video below, Williams and the Game of Thrones crew detailed all the work that went into Arya's heroic day at Winterfell. Williams said she was told to start training a year before it happened.

"Maisie does almost all of this stuff on her own," co-creator David Benioff said about Williams' fight scenes. "She has an excellent stuntwoman for the dangerous stuff, but most of it is actually Maisie."

William's stunt double Kristina Baskett praised the actress. "Her coordination, and she's really quick, can make changes on the spot and it actually—she's really easy to work with," Baskett said over images of Williams training.

Arya's big episode culminated with the young woman taking down the big bad, the Night King.

"Just when you think that it's all over, and just when you think that Jon Snow is going to be the hero—again—we realize that Arya appears through the mist," Williams said.

In the video above Emilia Clarke, Daenerys Targaryen, gave her honest reaction to Arya's big kill and it must be watched, it's pointless to describe.

"In the read-through when Maisie was doing it, we are all just whooping and cheering," Clarke said.

Kit Harington joked he was pissed it wasn't Jon Snow who took out the big bad. "I would've given you, like—I'd have bet you thousands, before we read the finals, I was like, ‘Yeah, it's definitely me,'" Harington said.

Benioff said they've known for three years it was going to be Arya. "It just didn't seem right to us for this moment," he said about using Jon Snow as the hero.

For the show, director Miguel Sapochnik said, "Dan and David let me break all the Game of Thrones rules."

"The majority of it is shot 96 frames a second, it's all super-slow motion, it's all heightened reality, which is not what they usually do. It was a surreal nightmare," Sapochnik said.

To make the moment even more intense, Sapochnik said they kept cutting to "it's f—ked" shots of characters not going to make it to Bran (Isaac Hempstead Wright) and the Night King.

In the video above, the cast and crew break down the wire right set up for Arya's big jump out of nowhere.

"Shooting that was tedious, but so great to be able to perform all these different beats within, maybe like, two seconds of footage," William said.

"It's exactly what you need…Out of the air she takes him down, it's so good. It's so good. It's perfect," Clarke said.

"Reading what I get to achieve and Arya's whole purpose in this world and everything she's trained for comes down to this one episode, it's just amazing. And it's beautiful, it's poetry," William said. "And I'm grateful it was me and not Kit."

Game of Thrones airs Sundays 9 p.m. on HBO.

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2019-04-30 13:56:00Z
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‘Avengers: Endgame’ Manic Moola Monday: 3rd Best With $37M+; Russo Brothers Pic Flying Past $400M Today In Record Time - Deadline

Early morning estimates show that Disney/Marvel’s Avengers: Endgame clocked $37.6M, which makes it the third best Monday ever as we were expecting last night. Disney will file their official number later this morning.

Endgame ranks behind Black Panther‘s all-time record of $40.15M (which was Presidents Day) and Star Wars: The Force Awakens’ ($40.1M) first Monday. Endgame‘s Monday was -58% from Sunday.

Yesterday also repped the best Monday that April ever posted, exceeding Avengers: Infinity War‘s $24.7M Monday by 52%. This brings the domestic total for the Russo Brothers directed sequel to $394.7M. Endgame will fly past $400M today, becoming the fastest movie to do so in five days, beating Force Awakens’ eight-day pace to that milestone.

Currently, Force Awakens’ first Tuesday holds that day’s all-time high with $37.3M. Last year Infinity War‘s first Tuesday grossed $23.4M, -5% from Monday.

Industry estimates expect Avengers: Endgame to clock over $180M in its second weekend, maybe even more, on its way to the best second weekend of all-time for a pic, a record currently owned by Force Awakens ($149.2M). Consider the fact that Force Awakens made that money during the Christmas weekend of Dec. 25-27, when many were off on their holiday breaks. Endgame is doing this monster biz on a non-holiday weekend, which is an ecstatic delight for exhibition and again speaks to the continued power of theatrical, as well as the movie and its gravitational pull not just on fanboys, but non-moviegoers as well. Even if Endgame falls below $180M, it’s still a winner. Avengers: Infinity War eased -56% in its second weekend for a $114.8M take.

After Endgame owned 89% of last weekend’s business, with ten of the 11 titles doing single digit business, do any of the wide entries even have a shot at making money? Those include STXfilms’ long-in-the-making animated feature UglyDolls, based on the toyline, Screen Gems’ Deon Taylor-directed thriller The Intruder, and Lionsgate’s Charlize Theron-Seth Rogen screwball comedy Long Shot. It will be interesting to see if their tracking goes out of the window even though they’re counter-programming. Right now we hear UglyDolls is at $14M, Intruder at $14M and Long Shot possibly $10M.

No. 2 yesterday by stretch? Disney’s Captain Marvel with $718K, -67% from Sunday for a running $414.55M stateside total.

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https://deadline.com/2019/04/avengers-endgame-monday-box-office-400-million-milestone-1202604508/

2019-04-30 13:13:00Z
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2019 Tony Award Nominations: Hadestown and Ain't Too Proud Lead the Pack - Playbill.com

The nominations for the 2019 Tony Awards were announced April 30. Entering awards season with the most nominations is Hadestown, which earned a total of 14 nominations. Trailing closely behind was Ain't Too Proud—The Life of the Temptations with 12. Joining the two titles in the coveted Best Musical category were Beetlejuice, The Prom, and Tootsie.

Among Hadestown's 14 nominations were two for composer and librettist Anaïs Mitchell, a nod for director Rachel Chavkin, and four for its performers: Eva Noblezada, Amber Gray, Andre De Shields, and Patrick Page.

Meanwhile, in Plays, The Ferryman and To Kill a Mockingbird racked up the most nominations with nine each, though only the former is up for Best Play. Rounding out that category are Choir Boy, Gary: A Sequel to Titus Andronicus, Ink, and What the Constitution Means to Me.

Tony winner Bebe Neuwirth and Tony nominee Brandon Victor Dixon announced the artists and productions recognized from the New York Public Library for the Performing Arts at Lincoln Center. The 73rd annual ceremony will be broadcast by CBS from Radio City Music Hall June 9. James Corden will host.

See below for the list of nominees, updating live.

Best Musical
Ain’t Too Proud—The Life and Times of The Temptations
Beetlejuice
Hadestown
The Prom
Tootsie

Best Play
Choir Boy by Tarell Alvin McCraney
The Ferryman by Jez Butterworth
Gary: A Sequel to Titus Andronicus by Taylor Mac
Ink by James Graham
What the Constitution Means to Me by Heidi Schreck

Best Revival of a Musical
Kiss Me, Kate
Rodgers and Hammerstein’s Oklahoma!

Best Revival of a Play
Arthur Miller’s All My Sons
The Boys in the Band by Mart Crowley
Burn This
Torch Song by Harvey Fierstein
The Waverly Gallery by Kenneth Lonergan

Best Performance by an Actor in a Leading Role in a Musical
Brooks Ashmanskas, The Prom
Derrick Baskin, Ain’t Too Proud
Alex Brightman, Beetlejuice
Damon Daunno, Oklahoma!
Santino Fontana, Tootsie

Best Performance by an Actress in a Leading Role in a Musical
Stephanie J. Block, The Cher Show
Caitlin Kinnunen, The Prom
Beth Leavel, The Prom
Eva Noblezada, Hadestown
Kelli O’Hara, Kiss Me, Kate

Best Performance by an Actor in a Leading Role in a Play
Paddy Considine, The Ferryman
Bryan Cranston, Network
Jeff Daniels, To Kill a Mockingbird
Adam Driver, Burn This
Jeremy Pope, Choir Boy

Best Performance by an Actress in a Leading Role in a Play
Annette Bening, All My Sons
Laura Donnelly, The Ferryman
Elaine May, The Waverly Gallery
Janet McTeer, Bernhardt/Hamlet
Laurie Metcalf, Hillary and Clinton
Heidi Schreck, What the Constitution Means to Me

Best Book of a Musical
Ain’t Too Proud, Dominique Morisseau
Beetlejuice, Scott Brown and Anthony King
Hadestown, Anaïs Mitchell
The Prom, Bob Martin and Chad Beguelin
Tootsie, Robert Horn

Best Original Score (Music and/or Lyrics) Written for the Theatre
Be More Chill, Joe Iconis
Beetlejuice, Eddie Perfect
Hadestown, Anaïs Mitchell
The Prom, Matthew Sklar and Chad Beguelin
To Kill a Mockingbird, Adam Guettel
Tootsie, David Yazbek

Best Direction of a Musical
Rachel Chavkin, Hadestown
Scott Ellis, Tootsie
Daniel Fish, Oklahoma!
Des McAnuff, Ain’t Too Proud
Casey Nicholaw, The Prom

Best Direction of a Play
Rupert Goold, Ink
Sam Mendes, The Ferryman
Bartlett Sher, To Kill a Mockingbird
Ivo van Hove, Network
George C. Wolfe, Gary: A Sequel to Titus Andronicus

Best Performance by an Actor in a Featured Role in a Musical
Andre De Shields, Hadestown
Andy Grotelueschen, Tootsie
Patrick Page, Hadestown
Jeremy Pope, Ain’t Too Proud
Ephraim Sykes, Ain’t Too Proud

Best Performance by an Actress in a Featured Role in a Musical
Lilli Cooper, Tootsie
Amber Gray, Hadestown
Sarah Stiles, Tootsie
Ali Stroker, Oklahoma!
Mary Testa, Oklahoma!

Best Performance by an Actor in a Featured Role in a Play
Bertie Carvel, Ink
Robin De Jesús, The Boys in the Band
Gideon Glick, To Kill a Mockingbird
Brandon Uranowitz, Burn This
Benjamin Walker, All My Sons

Best Performance by an Actress in a Featured Role in a Play
Fionnula Flanagan, The Ferryman
Celia Keenan-Bolger, To Kill a Mockingbird
Kristine Nielsen, Gary: A Sequel to Titus Andronicus
Julie White, Gary: A Sequel to Titus Andronicus
Ruth Wilson, King Lear

Best Choreography
Camille A. Brown, Choir Boy
Warren Carlyle, Kiss Me, Kate
Denis Jones, Tootsie
David Neumann, Hadestown
Sergio Trujillo, Ain't Too Proud

Best Orchestrations
Michael Chorney and Todd Sickafoose, Hadestown
Larry Hochman, Kiss Me, Kate
Daniel Kluger, Oklahoma!
Simon Hale, Tootsie
Harold Wheeler, Ain’t Too Proud

Best Scenic Design of a Musical
Robert Brill and Peter Nigrini, Ain’t Too Proud
Peter England, King Kong
Rachel Hauck, Hadestown
Laura Jellinek, Oklahoma!
David Korins, Beetlejuice

Best Scenic Design of a Play
Miriam Buether, To Kill a Mockingbird
Bunny Christie, Ink
Rob Howell, The Ferryman
Santo Loquasto, Gary: A Sequel to Titus Andronicus
Jan Versweyveld, Network

Best Costume Design of a Musical
Michael Krass, Hadestown
William Ivey Long, Beetlejuice
William Ivey Long, Tootsie
Bob Mackie, The Cher Show
Paul Tazewell, Ain’t Too Proud

Best Costume Design of a Play
Rob Howell, The Ferryman
Toni-Leslie James, Bernhardt/Hamlet
Clint Ramos, Torch Song
Ann Roth, Gary: A Sequel to Titus Andronicus
Ann Roth, To Kill a Mockingbird

Best Sound Design of a Musical
Peter Hylenski, Beetlejuice
Peter Hylenski, King Kong
Steve Canyon Kennedy, Ain’t Too Proud
Drew Levy, Oklahoma!
Nevin Steinberg and Jessica Paz, Hadestown

Best Sound Design of a Play
Adam Cork, Ink
Scott Lehrer, To Kill a Mockingbird
Fitz Patton, Choir Boy
Nick Powell, The Ferryman
Eric Sleichim, Network

Best Lighting Design of a Musical
Kevin Adams, The Cher Show
Howell Binkley, Ain’t Too Proud
Bradley King, Hadestown
Peter Mumford, King Kong
Kenneth Posner and Peter Nigrini, Beetlejuice

Best Lighting Design of a Play
Neil Austin, Ink
Jules Fisher and Peggy Eisenhauer, Gary: A Sequel to Titus Andronicus
Peter Mumford, The Ferryman
Jennifer Tipton, To Kill a Mockingbird
Jan Versweyveld and Tal Yarden, Network

The final tally follows:
Hadestown - 14
Ain't Too Proud - The Life and Times of the Temptations - 12
Tootsie - 11
The Ferryman - 9
To Kill a Mockingbird - 9
Beetlejuice - 8
Rodgers & Hammerstein's Oklahoma! - 8
Gary: A Sequel to Titus Andronicus - 7
The Prom - 7
Ink - 6
Network - 5
Choir Boy - 4
Kiss Me, Kate - 4
Arthur Miller's All My Sons - 3
Burn This - 3
The Cher Show - 3
King Kong - 3
Bernhardt/Hamlet - 2
The Boys in the Band - 2
Torch Song - 2
The Waverly Gallery - 2
What the Constitution Means to Me - 2
Be More Chill - 1
Hillary and Clinton - 1
King Lear - 1

A number of honorary 2019 Tony Award recipients have already been announced. Terrence McNally, Rosemary Harris, and Harold Wheeler will each receive a Lifetime Achievement in the Theatre distinction; Judith Light has been named this year’s Isabelle Stevenson Award honoree; the Regional Theatre Tony Award will go to TheatreWorks Silicon Valley; Tony Honors for Excellence in the Theatre will go to Broadway Inspirational Voices, Peter Entin, Joseph Blakely Forbes, and FDNY Engine 54; and Special Tony Awards will be given to Jason Michael Webb, Sonny Tilders, and the late Marin Mazzie.

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2019-04-30 12:58:03Z
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Woodstock 50 not canceled, organizer insists: 'It's going to be a blast' - syracuse.com

Is Woodstock 50 canceled? The 2019 festival’s principal investor said the three-day event in Watkins Glen, N.Y., has been called off and the county is set to “move on,” but Woodstock co-founder and 50th anniversary organizer Michael Lang insists the show will go on.

“We are committed to ensuring that the 50th Anniversary of Woodstock is marked with a festival deserving of its iconic name and place in American history and culture," Lang said in a statement via Woodstock Ventures. "Although our financial partner is withdrawing, we will of course be continuing with the planning of the festival and intend to bring on new partners. We would like to acknowledge the State of New York and Schuyler County for all of their hard work and support.

"The bottom line is, there is going to be a Woodstock 50th Anniversary Festival, as there must be, and it’s going to be a blast.”

Woodstock 50 was scheduled for Aug. 16-18 at Watkins Glen International raceway with a lineup that included Jay-Z, Santana, Miley Cyrus, The Killers, Chance the Rapper, John Fogerty, Janelle Monae, Dead & Company, Imagine Dragons, and Halsey. Financial backing company Dentsu Aegis Network announced Monday that the three-day 50th anniversary event had been canceled.

“...Despite our tremendous investment of time, effort and commitment, we don’t believe the production of the festival can be executed as an event worthy of the Woodstock Brand name while also ensuring the health and safety of the artists, partners and attendees,” Dentsu reps said in a statement.

But Lang told The New York Times on Monday afternoon that "They (Dentsu) do not have the right to unilaterally cancel the festival.” Lang said all the acts have already been paid in full and plans to continue with another investor.

Billboard reports more than $30 million has already been spent on the festival lineup. Last week, a representative reportedly reached out to Live Nation and AEG for a $20 million investment to save the event, but both concert booking agencies declined. It’s unclear what other investors Lang might seek.

Getty Images

Woodstock Music Festival co-producer Micael Lang attends a celebration of the 40th Anniversary of Woodstock at the at Rock & Roll Hall of Fame Annex NYC on August 13, 2009 in New York City. (Photo by Michael Loccisano/Getty Images)

While the future of Woodstock’s 50th anniversary festival is uncertain, no refunds are required as tickets still hadn’t gone on sale (though some hotels and B&Bs in the area had already been booked). Cancellation rumors first emerged earlier this month when the ticket on-sale date was pushed back due to a late submission for a mass gathering permit.

Further concerns were raised when Lang said tickets would be $450 for three-day passes and reduced the expected attendance from 100,000 to 75,000. One headliner, The Black Keys, even dropped out due to an unspecified “scheduling conflict."

Still, the New York State Department of Health said it was “surprised” by the cancellation announcement, just 109 days before Woodstock 50 was scheduled to take place. A rep for the DOH told syracuse.com Monday that the cancellation was not related to the state permit application pending for the event.

Schuyler County Administrator Tim O’Hearn confirmed Monday that Woodstock 50 had been cancelled. Watkins Glen is located in Schuyler County, about 80 miles southwest of Syracuse and 150 miles northwest of the original Woodstock site in Bethel, N.Y.

“We have been in contact with the Chamber of Commerce, who has been trying to salvage something from the fallout of this decision,” O’Hearn said Monday, according to Spectrum News. “This was an opportunity for us to showcase our great natural environment... We will lick our wounds and move on.”

But if you’re not ready to move on, you can hold out hope for Lang to pull a rabbit out of his hat. The original Woodstock Music and Art Fair lost its venue in Wallkill, N.Y., in July 1969, but Lang reached an agreement days later at Max Yasgur’s dairy farm in Bethel, near White Lake.

More than 400,000 people attended the first Woodstock festival, held Aug. 15-18, 1969, at Yasgur’s farm in the Catskill Mountains. Performers included Richie Havens, Jefferson Airplane, The Who, Joan Baez, Jimi Hendrix, Arlo Guthrie, Santana, Joe Cocker, the Grateful Dead and Crosby, Stills, Nash & Young.

The iconic concert was revisited in 1994 with a modern lineup of artists like Nine Inch Nails, Sheryl Crow, Metallica, Cypress Hill and Red Hot Chili Peppers in Saugerties, but Woodstock ’99 -- held at Griffiss Air Force Base in Rome, N.Y. -- was marred by riots, fires and allegations of sexual assault. Lang helped organize both anniversary events.

In the meantime, the original Woodstock site is still scheduled to celebrate its 50th anniversary in Bethel, N.Y. The Bethel Woods Center for the Arts scrapped plans for a weekend-long festival, but will have four days of events: A free concert by Arlo Guthrie and a screening of the “Woodstock” documentary on the field Thursday, Aug. 15; Ringo Starr, Guthrie, and The Edgar Winter Band on the pavilion stage Friday, Aug. 16; Santana with the Doobie Brothers on Saturday, Aug. 17; and John Fogerty on Sunday, Aug. 18. Guthrie, Winter, Santana and Fogerty all performed at the original Woodstock festival.

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https://www.syracuse.com/entertainment/2019/04/woodstock-50-not-canceled-organizer-insists-its-going-to-be-a-blast.html

2019-04-30 11:13:00Z
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'Game of Thrones': The meaning behind Arya's Valyrian dagger, explained - Mashable

Bran was all like "just in case in comes in handy!"

Image: hbo

By Jess Joho2019-04-30 10:38:11 UTC

As unexpected as the big twist that ended Game of Thrones' "Long Night" was, the set up for Arya's Great War-ending dagger move traces all the way back to Season 1.

Digging into the Valyrian dagger's history on the show only adds layer upon layer of thematic meaning to Arya's clutch moment of  glory. And it also might even foreshadow Arya's next target: Cersei Lannister.

Image: hbo

In the Inside the Episode, David Benioff said they've known for about three years that Arya would be the one to deliver the final blow to the Night King. And its clear now they planted a lot of seeds during that time.

The Catspaw Dagger (as fans came to call it) was first introduced in Episode 2, Season 1 during the assassination attempt on a comatose Bran after his near-fatal fall from the tower. Luckily, both Summer and Catelyn were still around back then to save the future Three-Eyed Raven from getting Night Kinged. But it's one of Game of Thrones classic, full circle callbacks to have the weapon that almost killed Bran return several seasons later only to save him — and the entire world.

It's the perfect way to honor Catelyn, too, who would be so proud to know her daughter took up the the mantle of protecting the Stark kids from all threats, no matter the cost.

Later in Season 1, the dagger went on to become the key piece of evidence Catelyn used to accuse and arrest Tyrion for the attempt on Bran's life. That's because Littlefinger told her that the rare dagger was his once, before he lost it in a bet to the imp. We don't know if Littlefinger was lying there, since at the time he'd been scheming to stir up trouble war between the Lannisters and Starks. But we do know that Tyrion was not behind it (the assassination attempt was actually probably Joffrey's doing.)

Catelyn lives on in Arya now

Image: hbo

What matter most, though, is that the dagger that launched the first major war on the show — the Starks versus Lannister conflict that lead to the War of the Five Kings — was then eventually used to end the Great War.

But it goes even deeper than that. When next we saw the dagger, Littlefinger was giving it back to Bran in Season 7 while trying to ingratiate himself to the Stark kids who were suspicious of him. 

The dagger that launched the first major war on the show... was then eventually used to end the Great War.

"In a way that dagger made you what you are today," Littlefinger told Bran. "Forced from your home. Driven out to the wilds Beyond the Wall... To go through all that and return home only to find such chaos in the world, I can only imagine—"

"Chaos is a ladder," Bran said, cutting him off with a callback to the reasoning Littlefinger gave Sansa for his plots to destabilize Westerosi politics. Indeed, it seems as though Bran used the chaos of the Battle at Winterfell (like Theon charging the Night King) as a distraction to give Arya the ladder she needed to pull off her wild sneak attack.

Weirdly, Littlefinger turned out to be right, though: This dagger did cause a domino effect that lead Bran to become the Three-Eyed Raven, just like his fall from the tower. And that's also true for Arya. The dagger played a large role in making the War of the Five Kings happen, which lead to the Red Wedding. And the Red Wedding is what motivated Arya to go down the path to becoming an unstoppable assassin who could kill the Night King.

Brienne helped prepare Arya for the most important moment of her life

Image: hbo

Later in Season 7, Bran pointedly gives the dagger to Arya with a suspicious lack of explanation. Now we know it's because he saw what she'd do with it. And we also know why the show took the time to have Arya duel Brienne, when she wins by pulling out the dagger with her left hand in exactly the same way she did with the Night King in Season 8. 

That's even more impressive when you consider that, despite being right-handed in real life, Maisie Williams made a point to depict Arya as left-handed. And looking back, we can assume that she probably committed to this small detail so that there was precedent for the left-handed trick shot that saves the world.

But the foreshadowing to Arya's sneak attack carried over into Season 8, too. And not just because of the prophecy Melisandre reminds Arya of earlier in Episode 3. 

When Jon and Arya reunited in the Godswood in Episode 1, he's surprised by her sudden appearance. "How'd you sneak up on me?" he asks her. Well, she'll sneak up on a different King of Winter in the exact same spot two episodes later.

Arya's masterclass sneaking saved the entire world

Image: hbo

This all goes to show that on Game of Thrones, hindsight is always 20/20. Someone could have pieced all the hints together to predict this unpredictable twist, but the the foreshadowing only really becomes clear after the fact. And the exchange between Bran and Arya when he gives her the dagger in Season 7 might've foreshadowed yet another twist that flew over our heads at the time.

"I saw you at the crossroads... I thought you'd go to King's Landing," Bran tells Ayra after their reunion.

"So did I," she says. And when Sansa asks why Arya would go there, Bran explains, "Cersei's on her list of names."

At this point, we should take all of Bran's inexplicable actions, reactions, and creepy stares as hints at what's to come. So now we can't help but read this exchange as foreshadowing that Arya will go to King's Landing in the three remaining episodes to finally strike Cersei off her list. 

Because at the time, Bran said that his visions were all a jumbled, fragmented mess. He seems to have gotten a better grasp on them in Season 8. But back then it's entirely possible he confused a vision of Arya killing Cersei in King's Landing in Season 8 with her Season 7 choice to go to Winterfell instead of King's Landing first.

Arya and her daggar can wipe that smirk right off Cersei's face

Image: hbo

What's true is that — like the poetic justice of Littlefinger getting executed by Arya with the very weapon he tried to use to manipulate Bran — the Catspaw Dagger has become a symbol of Arya as the avenging angel of death for House Starks. Since its reintroduction in Season 7, she's now slain two of her family's most major enemies with it. 

And as we saw in the previews for the upcoming Episode 4, the show is not only going back to King's Landing but also seemingly returning to the Stark versus Lannister feud that started everything. It's also notable that in Melisandre's prophecy, she says that Arya will shut many eyes forever, "brown eyes, blue eyes, green eyes." Walder Frey had brown eyes. The Night King had blue. And Cersei has green eyes.

Arya killing Cersei with the dagger might ruin the popular theory of Jaime as the valonqar. But don't forget that Arya can wear anyone's face, including Cersei's "little brother" Tyrion or Jaime.

Ultimately, though, Arya doesn't need to kill Cersei in order to complete the character arc that her list of names represents. Because to cope with the deaths in her family, Arya clung onto that list like her life depended on it. But after staring into the many faces of death with the Faceless Men and coming back home, she has chosen life, love, and family instead of revenge again and again.

The last enemy was death. And Arya conquered death without even needing her list.

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https://mashable.com/article/game-of-thrones-arya-valyrian-dagger-night-king-explained/

2019-04-30 10:38:00Z
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Maisie Williams responds to THAT huge 'Game of Thrones' moment with the perfect Instagram video - Mashable

Go, Arya, GO!

Image: hbo

By Sam Haysom2019-04-30 09:19:20 UTC

Warning: Contains ice-shattering spoilers for Game of Thrones Season 8, episode 3.

All men must die.

We know this. But we also know that it's possible — if you're well equipped with some ninja fighting skills and a pointy dagger — to delay the inevitable for a little bit.

Following Arya Stark's triumphant, world-saving act of heroism in episode three, Maisie Williams shared her reaction on Instagram.

It came in the form of a video of her co-star and BFF Sophie Turner singing "Crank That" by Soulja Boy, coupled with a photo of the Night King himself (swipe right).

"How am feeling after that episode," wrote Williams. "Not today bby."

Legend.

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2019-04-30 09:19:00Z
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'Game of Thrones' Cinematographer Defends Battle of Winterfell's Darkness - TMZ

'GoT' Cinematographer Defends Ep. 3's Darkness ... I Promise We Shot 'The Long Night' Right!!!

4/30/2019 1:00 AM PDT

EXCLUSIVE

"Game of Thrones" Battle of Winterfell left fans cheering and complaining -- the latter due to it being too damn dark -- but the cinematographer wants to make it clear ... the gripes aren't his fault.

Fabian Wagner -- who was also the cinematographer on lauded 'Thrones' episodes like "Hardhome" and "Battle of the Bastards" -- tells TMZ, he's aware folks are upset that "The Long Night" looked TOO nightly, and he has an explanation.

First, Fabian believes the pixelation and muddy dark colors fans saw on their TVs and mobile devices are due to HBO's compression of the episode ... which leads to poorer visual quality. This is made worse if it's being viewed on a streaming service with a weak connection ... or in a room that's too bright.

As Wagner puts it ... "[GoT] has always been very dark and a very cinematic show" and should be watched in a dark environment. Ideally, this means viewing it like you would a movie -- in a dark theater.

Since that's not realistic for 'Thrones,' Fabian suggests making your viewing room at home as dark as possible, avoid watching on your phone or in places that are lit up ... and adjust your TV settings.

The cinematographer also points out ... the showrunners and director wanted the episode to be dark. Wagner says the battle scenes were intended to be intense, claustrophobic and disorienting -- like they would be in real life -- but not confusing.

Fabian says, "We tried to give the viewers and fans a cool episode to watch," and he believes they did, adding ... "I know it wasn't too dark because I shot it."

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2019-04-30 08:00:00Z
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What The Creator Of Thanos Thought About Avengers Endgame And The Ending - GameSpot

Avengers: Endgame is finally in theatres, and it brings about an end to storylines and narrative arcs that started a decade ago.

One major storyline has been the Infinity Gauntlet narrative that's been the driving force of the interconnected stories thus far with the evil Thanos . Jim Starlin, who created Thanos (and Gamora and Drax) and also wrote the Infinity Gauntlet comic, has now shared his thoughts on Avengers: Endgame and Thanos's fate.

SPOILERS FOR AVENGERS ENDGAME FOLLOW BELOW

Speaking to IGN, Starlin said he was "amazed" and "flabbergasted" by the events of Endgame. "The up and downs that you have on it. There's some really heartbreaking moments mixed in with a lot of really funny little instances here and there," he explained.

Thanos is killed twice in Endgame; once by Thor, who lops his head off, and a second time--for good--when Tony Stark wields the Gauntlet and snaps Thanos out of existence. Starlin remarked that he was particularly impressed by the way actor Josh Brolin performed Thanos's final moments, when he accepted his fate and sat silently, awaiting his doom.

"His final moments in the movie I think are just priceless," Starlin said. "His demeanor once he realizes what's happening, I think that's just one of those little moments in film that everyone is gonna remember. It's like acceptance and taking it like a man, you know? I thought that was perfectly played."

Also in the interview, Starlin said the character Gamora in the Marvel movies is above all the closest representation of what he created in the comics.

You can watch the full interview here at IGN.

Read next: Chris Pratt Shares "Illegal" Avengers Endgame Video From Film Set

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https://www.gamespot.com/articles/what-the-creator-of-thanos-thought-about-avengers-/1100-6466550/

2019-04-30 05:37:00Z
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